THE ART OF GLAZED TILEWORK IN TIMURID ARCHITECTURAL MONUMENTS: STYLISTIC SPECIFICITY AND CONSERVATION STATUS
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Abstract
The Timurid period (14th–15th centuries) is widely recognized as a golden era in the history of Islamic art and architecture, particularly in Central Asia. Among its most remarkable artistic achievements is the sophisticated development of glazed tilework, known locally as koshinpazlik. This study explores the stylistic uniqueness, technological evolution, and symbolic meaning of Timurid tile decoration, while also assessing its current conservation status. The research analyzes major techniques such as banna’i, tile mosaic (kashi-kari), and haft-rangi, focusing on their artistic and structural functions. Furthermore, the study evaluates environmental degradation, material decay, and restoration practices that have influenced the preservation of these monuments. By combining historical analysis with conservation science, the article proposes sustainable approaches for preserving Timurid tile heritage in the modern era.
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References
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